§ 童話系列 §
從建築物形貌帶入幻想的童話世界，常隱匿著多重的想像、記憶與慾望，藉熟悉的物象轉化，重塑原有的城市特徵面貌，外表看似堅固、冰冷的建築物，也許隱藏著脆弱的一面，建築外型呈現融化、碎片的樣貌，隱喻著對於現實的無力感。住家附近總是有老舊的建築，鏽蝕掉的欄杆、鐵窗、剝落的牆面，這些乘載歲月的物體，充滿著情感與意義，它們在我眼裡不是那麼失落、被遺忘，而是可以讓我懷念人生的境遇，吸引著我靜靜的注視它，與五彩繽紛的童話美景之間的這份羈絆，在成長後依然持續豐富我的人生。
From the appearance of a building into the fantastic fairy tale, multiple imaginations, memories, and desires are usually hidden in the works.
Through familiar image transformation, restoring the original appearance of the city.
Though the appearance of the building is seemingly solid and cold, it may hide its weaker side; the melted and broken exterior of the building serves as a metaphor for a sense of powerlessness to the reality.
There are old buildings surrounded my house. The rusted railings, iron windows, and peeled walls, the objects that carry the passing years, are full of affections and meanings.
To me, they are not that lost or forgettable; instead, they remind me of my own life.
It attracted me to stare at it quietly.
The fetter with the beautiful fairy tales keeps enriching my life after growing up.
左：《假想甜蜜1》，2015，壓克力畫布，50x50cm
右：《假想甜蜜2》，2015，壓克力畫布，50x50cm
甜點會在視覺感官上引領出幸福的聯想，甜蜜背後連接的是在現實世界中，並不是那麼的美好建築，台式建築偽裝成了童話般的意境，這樣的反差產生了現實與想像的混淆，就像是為真實鋪上一襲甜美外衣，藉著蛋糕整體高明度的色彩，引導觀者重新發現舊建築的美麗。
Desserts will visually lead to happy associations, but behind the sweet link is living in real life is not so beautiful building. Taiwanese-style buildings disguised as fairy-tale houses, such a contrast produced confusion between reality and imagination. It's like wrapping a layer of sugar-coated for the real thing.
Through the overall cleverness of the cake, the viewer is guided to rediscover the beauty of the old building.
《精靈護衛隊》，2014，壓克力畫布，91x72.5cm
七個小矮人化身為小精靈的行為表達，或許就是現實人所存在的生活寫照。在密集的建築物夾擊下，部份建築物的融化狀態，展現出充滿未知或不可預期地流動性，亦是傳達出過往情景消逝的頃刻間，每一瞬間的影像，過去與未來，都成了一個當下，被觸發在這停格的畫面裡。
the The seven dwarves transform to the elf's behavior may portray the real life. Surrounded by the dense buildings, the melted buildings show an unknown or unpredictable movement, and also the moment of disappearance of the old scene. Each scene at each moment or each past and the future, become the present and are triggered in this still picture.
《箱子》，2014，壓克力 木板，100x50cm
城市就像一個個的幾何人工大箱子所組成，在畫面中「箱子」裡，裝著被傀儡住的建築，亦或是人被這城市中太多表象的物質所迷惑，畫面中人是祥和的面貌，但用正在拉動的線，隱喻此刻城市的焦慮不安感。
The city is made up of every single geometrically artificial box. The buildings controlled like a puppet are inside of the boxes in the picture or, that is to say, the people fooled by the a variety of superficial substance among the city.
《我已預見那遼闊》，2014，壓克力 畫布，41x27cm
房子以融化狀呈現類似夢境這種非理性的造型，將影像與情緒融合在一起，背景像是棉花糖包裹著甜蜜氣息，透過恍惚的內心景象，以擦、染的的方式表現瞬息變幻的感覺。 The melting house represents a dream-like irrational state.
The work blends the images and emotions, while the background is like a marshmallow contained a sense of sweetness. Through the trance of the scene in the heart, and by the way of rubbing and dyeing to express the ever-changing feeling.
《活著就努力飛》，2014，壓克力 畫布，41x27cm
房子以片狀呈現類似夢境這種非理性的造型，將影像與情緒融合在一起，背景像是棉花糖包裹著甜蜜氣息，透過恍惚的內心景象，以擦、染的的方式表現瞬息變幻的感覺。
The sliced house represents a dream-like irrational state.
The work blends the images and emotions, while the background is like a marshmallow contained a sense of sweetness. Through the trance of the scene in the heart, and by the way of rubbing and dyeing to express the ever-changing feeling.
展覽日期：2018-05-03～2018-08-28
參展藝術家：姜晴心、張立欣、許可昀、陳愷靜
地點:金車文藝中心員山館(宜蘭縣員山鄉員山路二段326號)
時間:09:00-17:00 全年無休(除夕休館)
電話:03-9229000 # 8501
留言列表
